Available now for Final Cut Pro on macOS

Try free for 7 days

KREDI Lab is a complete ACES 2.0 grading environment inside the Final Cut Pro inspector. Every adjustment improves the image instead of fighting it, so you grade with confidence and deliver fast.

Every control tuned to make the image better.

THE COLOR ENGINE FOR FINAL CUT PRO

Complete grade right where you edit

INSPECTOR NATIVE

Everything you need to make the image better.

16 Professional tools

Full dynamic range at every stage.

Native ACES 2.0

THE TOOLKIT

Sixteen tools.
Everything included.

Sync

Synchronize multiple clips with complete control.
Group selected clips and choose exactly which tools should be synchronized. Copy only the adjustments you need while keeping complete flexibility throughout your workflow.

ACES Color Management

Professional color management made simple.
Work in Rec.709 or ACES with accurate camera transforms and a reliable color pipeline, building every grade on a technically solid foundation.

White Balance

An intelligent white balance system.
Neutralize unwanted color casts while preserving natural skin tones and realistic colors.

Base

Build the perfect foundation.
Control exposure, contrast, pivot, highlights, shadows, whites, blacks and saturation using intuitive photographic controls.

Tone

Shape contrast with precision.
Fine-tune highlights, lights, darks, shadows, whites and blacks independently for smooth and natural tonal transitions.

Color Wheels

Professional color balancing.
Adjust shadows, midtones and highlights with precise color wheels designed for complete creative control.

Selective Color

Target individual colors with precision.
Adjust Hue, Saturation and Brightness for each color range independently.

Creative Looks

Create your own signature look.
Apply film-inspired looks while maintaining complete creative control over the final image.

Color Density

Inspired by traditional color printing.
Shape colors using subtractive color principles to create richer color separation, more natural transitions and a more organic cinematic appearance.

Clarity

Recover detail without affecting global contrast.
Restore information in shadows and highlights while preserving the overall contrast and natural appearance of the image.

Camera Matrix

Advanced camera calibration.
Adjust the Hue and Saturation response of the Red, Green and Blue channels, similar to Camera Calibration in Lightroom, for precise control over your camera’s color science.

Skin Refine

Beautiful skin made simple.
Soften skin while refining its tone and color, creating natural-looking results without an artificial appearance.

Sharpness

Enhance fine detail naturally.
Increase image sharpness while maintaining a clean, natural appearance free from harsh digital artifacts.

Diffusion

Cinematic glow with complete control.
Add a soft, cinematic bloom to highlights while preserving image detail and giving footage a more atmospheric feel.

Vignette

Guide the viewer’s eye.
Create natural-looking vignettes with precise control over amount, midpoint, roundness and feather.

Grain

Authentic film texture.
Add realistic film grain with independent control over amount, size, roughness and color for a natural analog finish.

A Complete Toolset
For Every Colorist

Color Management

Start with the perfect foundation.
Transform Log footage into Rec.709 or ACES with precise camera transforms and a reliable color pipeline. Build every grade on a technically accurate foundation.

Primary Correction

Balance every frame with confidence.
Refine exposure, white balance, contrast and tonal range using intuitive controls inspired by professional photography workflows.

Creative Color

Develop your own visual language.
Powerful color wheels, curves and selective color tools let you craft unique looks instead of relying on predefined presets.

Film Looks

Bring digital footage to life.
Create depth, texture and timeless character with carefully designed film looks inspired by analog photography and motion picture film.

Keyframe Editor

Animate exposure, white balance and saturation with precision. KREDI LAB is the first Final Cut Pro color grading plugin to include dedicated keyframe controls for your core grading adjustments.

Finishing

Perfect the final image.
Fine-tune every detail with clarity, grain, halation, vignettes and finishing tools designed to give your work the final polish.

Color Management

Primary Correction

Creative Color

Film Looks

Keyframe Editor

Finishing

A Complete Toolset
For Every Colorist

Color Management

Start with the perfect foundation.
Transform Log footage into Rec.709 or ACES with precise camera transforms and a reliable color pipeline. Build every grade on a technically accurate foundation.

Primary Correction

Balance every frame with confidence.
Refine exposure, white balance, contrast and tonal range using intuitive controls inspired by professional photography workflows.

Creative Color

Develop your own visual language.
Powerful color wheels, curves and selective color tools let you craft unique looks instead of relying on predefined presets.

Film Looks

Bring digital footage to life.
Create depth, texture and timeless character with carefully designed film looks inspired by analog photography and motion picture film.

Keyframe Editor

Animate exposure, white balance and saturation with precision. KREDI LAB is the first Final Cut Pro color grading plugin to include dedicated keyframe controls for your core grading adjustments.

Finishing

Perfect the final image.
Fine-tune every detail with clarity, grain, halation, vignettes and finishing tools designed to give your work the final polish.

SEE THE DIFFERENCE

Experience what connected
colors really looks like

01

BUILD YOUR OWN LOOK

KREDI Lab isn’t built around looks. It’s built around creative freedom.

Start with your own footage and create a color that reflects your personal vision instead of adapting to someone else’s style.

After imageBefore image
Before imageAfter image
After imageBefore image
Before imageAfter image
02

COLOR WITHOUT LIMITS

From precise color wheels and matrices to selective color and density tools, KREDI Lab gives complete control over every aspect of the image.

Subtle or bold. Natural or expressive. The choice is yours.

03

FROM SUBTLE TO EXPRESSIVE

Whether you’re aiming for a clean documentary look or a stylized cinematic grade, KREDI Lab adapts to your creative direction without locking you into predefined looks.

After imageBefore image
Before imageAfter image
After imageBefore image
Before imageAfter image
04

MADE FOR REAL FOOTAGE

Built for real productions and real lighting conditions. Mixed light, skin tones, highlights, shadows and difficult scenes are where KREDI Lab is designed to perform best.

From subtle balancing to bold creative grades, every tool works together so your style stays yours

Create your own look

Built in graph dope sheet editors let you smoothly keyframe corrections whenever the light changes

Animate when it matters

A complete toolkit instead of a collection of presets

Designed for real grading

Learn More

WHETHER YOU´RE CREATING A CLEAN COMMERCIAL LOOK, A TIMELESS DOCUMENTARY GRADE OR A STYLIZED CINEMATIC IMAGE, KREDI LAB ADAPTS TO YOUR WORKFLOW INSTEAD OF FORCING YOU IN ONE.

Most grading plugins are built around looks.

Kredi Lab is built around you.

Instead of locking you into someone else´s aesthetic, Kredi Lab gives you a complete set of professional grading tools: from exposure and white balance to curves, color density, animation, film emulation and ACES workflows, so every image can become your own.

The definitive color grading toolkit for Final Cut Pro

THE PLATFORM

KREDI.LAB was born from the collaboration between a filmmaker searching for a better creative workflow and a software engineer with decades of experience in professional imaging. Together they created a tool that combines technical precision with creative freedom—designed to help filmmakers develop their own visual language rather than relying on predefined looks.

TWO DIFFERENT BACKGROUNDS. ONE SHARED VISION.

Riccardo Fasoli is an internationally recognized wedding filmmaker and educator with more than 15 years of experience creating films around the world. Throughout his career, color grading has been one of the most important parts of his creative process.


After years of working inside Final Cut Pro, he realized that none of the available tools offered the intuitive workflow he was looking for. His vision for KREDI.LAB was simple: bring the familiarity of professional photography workflows into video color grading.


Every section, every slider and every interaction has been designed from real production experience, with the goal of helping filmmakers focus on creativity instead of technical complexity.



“I never wanted another plugin full of looks. I wanted a tool that lets every filmmaker create their own.”

THE PEOPLE BEHIND KREDI.LAB

Dmitry Lavrov has spent more than 25 years developing professional imaging software for the film and photography industry.


His expertise includes color science, image processing, GPU optimization and high-performance creative applications used by professionals worldwide.


For KREDI.LAB, he transformed decades of engineering knowledge into a powerful color grading engine built specifically for Final Cut Pro, combining precision, speed and image quality in a single workflow.


“Powerful software should disappear behind the creative process.”

Filmmaker • Colorist • Co-Founder

Riccardo Fasoli

Software Engineer • Co-Founder

Dmitry Lavrov

WHO MADE IT

FCP earned your loyalty by staying out of your way.


KREDI Lab holds itself to

the same standard.

As intuitive and fast as Final Cut itself.

The grading experience keeps pace with you, not the other way around.

Predictable, responsive, fluid

Every interaction and control considered for the way Final Cut editors actually work.

Designed for FCP, not ported

Lives exactly where you expect it, without interrupting the editing flow. Grading becomes part of the edit, not a separate phase.

Inspector-native 

THE ANIMATION

SEE THE DIFFERENCE

Testimonials & Reviews

  • There are two ways to approach color grading: one is as a full-time colorist, spending days refining every shot of a single project. The other is the approach many filmmakers take, where color is part of a broader creative workflow used to define the mood and identity of the final film.

    KREDI.LAB is the first solution I’ve found that truly meets those needs. It’s lightweight, intuitive, incredibly practical and packed with creative possibilities. ACES works flawlessly, the controls are precise, custom LUT support is seamless, and tools like Color Density, Diffusion and Grain make it incredibly versatile.

    For anyone working in the Apple ecosystem, KREDI.LAB is a new benchmark. It’s an easy recommendation for filmmakers who want to speed up their workflow while achieving outstanding results.

    “If you don’t try it, you don’t Kredi.”
    Fabio Branno
  • KREDI.LAB is the first color grading plugin that has genuinely made me rethink my Final Cut Pro workflow. While the native tools often require constant manual adjustments and many plugins are little more than preset packs, KREDI.LAB delivers consistent, natural-looking results in a fraction of the time.

    Even across very different types of footage, the consistency is impressive. The difference in the final image speaks for itself.
    David Porto
  • I’ve been testing KREDI.LAB across multiple projects for the past week, and it has completely changed my workflow.

    Over the years I’ve used many different color grading plugins, each with its own strengths and weaknesses, but this one truly stands out. The controls are extremely precise, the workflow is noticeably faster, and native ACES support makes it even more powerful.

    It’s a real game changer for Final Cut Pro users.
    Vincenzo Viscuso
  • After spending considerable time testing KREDI.LAB on a variety of projects, I can confidently say it has become an essential tool in my workflow. The interface is clean, intuitive and thoughtfully designed, guiding you naturally through the grading process. Compared to other color grading tools currently available, KREDI.LAB offers a remarkable balance between powerful control and ease of use.

    I highly recommend it to any filmmaker or videographer looking for a professional, well-designed and genuinely useful color grading solution.
    Dimitris Kanavos
GET KREDILAB TODAY. PAY ONCE AND OWN IT FOREVER

One price.
A lifetime of better color.

Most Popular
Anual Subscription

$79/PER YEAR

Perfect for creators who always want the latest version.

  • Full KREDI LAB access
  • All current and future tools
  • Native ACES 2.0 workflow
  • Built-in film emulations
  • Continuous updates
  • Priority support
  • Cancel anytime

30-Day Money Back Guarantee

Limited Offer
PERPETUAL LICENSE

$199/ONE PAYMENT

Best for professionals who prefer a one-time purchase.

  • Full KREDI LAB access
  • All current and future tools
    (for 2 years)
  • Native ACES 2.0 workflow
  • Built-in film emulations
  • Lifetime license
  • 24 months of updates & support included
  • Optional $49/year
    update plan after 24 months

30-Day Money Back Guarantee

Frequently
Asked Questions

Whether you’re new to KREDI Lab or simply curious, here are the answers to the questions we hear most often.

KREDI Lab wasn’t built by adding ACES to an existing grading engine. It was designed around ACES from the ground up.
Every adjustment is part of a unified processing pipeline, where each tool prepares the image for the next instead of working against it. The result is a grading experience that feels noticeably different from the very first adjustment, highlights stay natural, colors remain balanced, and skin tones keep their character even when pushing the image further.
Instead of constantly correcting unwanted side effects, you can focus on shaping the look you actually want.

KREDI Lab was born from a simple observation: photographers often have an incredible eye for color, but traditional grading software rarely feels familiar to them.
After years of watching photographers shape beautiful images in Lightroom, we asked ourselves why grading video couldn’t feel just as natural. So instead of designing another complex set of color tools, we built an interface inspired by the workflow photographers already know and trust.
That simplicity doesn’t come at the expense of power. KREDI Lab is designed to grow with you. You can achieve beautiful results from your very first grade, while a professional ACES-based pipeline and advanced controls are always there when you’re ready to push further.
Familiar to start with. Deep enough to master.

No. That’s exactly the point.
KREDI Lab is built on a professional ACES 2.0 pipeline, but you don’t need to understand the technical side of ACES to benefit from it. We believe color science should work behind the scenes, allowing you to focus on your creative decisions, not on learning complex workflows.
As your experience grows, KREDI Lab grows with you. You can dive deeper into ACES, color management and advanced grading techniques whenever you want, but nothing forces you to. Whether you’re making your first grade or refining a feature film, the tools stay intuitive while the pipeline takes care of the technical foundation.
Professional color science.
Without the learning barrier.

KREDI Lab supports all major camera systems with official ACES Input Transforms (IDTs), including ARRI, Blackmagic Design, Canon, DJI, Fujifilm, GoPro, Nikon, Panasonic, RED and Sony.
But you don’t need to shoot in Log or even know what ACES is. KREDI Lab works just as well with standard Rec.709 footage, making it easy to grade everything from everyday videos to professionally captured cinema footage.
Whether you’re working with an iPhone, a mirrorless camera or a high-end cinema camera, every image enters the same carefully designed grading pipeline, giving you a consistent and intuitive editing experience, regardless of where the footage came from.

Yes. At the moment, KREDI Lab is exclusively available for Final Cut Pro.
We chose to launch on Final Cut first so we could build the best possible experience without compromise. Rather than supporting multiple platforms from day one, we focused on creating a grading workflow that feels truly integrated and intuitive.
That said, we’re already working on a DaVinci Resolve version, with Adobe Premiere Pro also on our roadmap. Our goal is to bring the same KREDI Lab experience to more creators while keeping the workflow and image quality consistent across every platform.

Absolutely.
KREDI Lab lets you use your existing LUT collection just as you always have. You can import creative LUTs from any source and combine them seamlessly with KREDI Lab’s grading tools.
For the best results, we recommend applying creative LUTs after your primary color correction. Since KREDI Lab processes your image inside a unified ACES 2.0 pipeline, your LUTs receive a clean, balanced starting point often producing more consistent and predictable results than applying them directly to camera footage.

Available now for Final Cut Pro on macOS

DOWNLOAD IT NOW

The complete ACES 2.0 grading pipeline for Final Cut Pro.

From ungraded to delivered.

Every move an improvement.